{"id":4073,"date":"2024-02-07T20:23:17","date_gmt":"2024-02-07T19:23:17","guid":{"rendered":"https:\/\/www.modularsynthesizerensemble.at\/?p=4073"},"modified":"2024-02-07T20:30:49","modified_gmt":"2024-02-07T19:30:49","slug":"news-eselchen","status":"publish","type":"post","link":"https:\/\/www.modularsynthesizerensemble.at\/en\/news-eselchen\/","title":{"rendered":"News – Eselchen"},"content":{"rendered":"Recently read on Instagram:<\/p>\n

How can the greatest possible degree of creativity and error-friendliness be achieved? By choosing a medium that is as haptic and experimental as possible, embedded in a space that invites everyone.
\nThis is what happened during the workshop for the current exhibition MUSIK AUS STROM at the Volkskundemuseum. After a brief introduction to the history of the synthesiser, it’s straight down to the instruments: all the explanations are given in a deeply relaxed and almost self-explanatory manner, which leads to an exuberant jamming session. Just like in a classical orchestra – only democratic, unexpected and without hierarchies.<\/p>\n

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Foto: Christian Tietge<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

Recently read on Instagram: How can the greatest possible degree of creativity and error-friendliness be achieved? By choosing a medium that is as haptic and experimental as possible, embedded in a space that invites everyone. This is what happened during the workshop for the current exhibition MUSIK AUS STROM at the Volkskundemuseum. After a brief … <\/p>\n

Continue reading “News – Eselchen”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-4073","post","type-post","status-publish","format-standard","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t